In an age of special effects, we may also simply no longer know how to feel awe at the sight of sculptured faces by the German genius Tilman Riemenschneider or before a bronze statue by Donatello. We can’t see past the raw materiality and subject matter. Never mind that Donatello may have been the greatest creative genius until Picasso; he long ago got lapped in the public’s imagination by Madame Tussaud, who has given way to “Avatar” in 3-D and Alexander McQueen’s trippy costumed mannequins.

Michael Kimmelman, “Has Sculpture Become Just Another Pretty Face?” New York Times.

I not sure if I agree with Kimmelman or think that he’s just reveling in the contrary. 

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